Sunday, July 26, 2026

Run with Shakespeare

 Injunction: Select a line from Shakespeare and run with it.

Richard III

"He hearkens after prophecies and dreams";
therefore, too many short forms he does glean.
As for the goose goes same for a gander:
He, she, it and they--we're prone to meander.

One and another it is all such fluff.
Many with bias while others try bluff.
A great deal today, media's simply pure slop.
To consume then act on preludes? You'll flop.

Text and pictures, whether moving or not,
research has shown you get yer brain rot.
Now listen, dear friend, you want to e-mend?
Curate your stuff--some music too, please rend.

No prophets will stem the tide of their profit.
With good 'nd pure dreams, we scoff--'Get off it.'

__________
Note on allusion: 

 

 

 

signifies a jibe to cease acting like one are  better than others, perhaps a know-it-all. This reminds us of Richard's most famous line from the play. 

 



Saturday, July 25, 2026

From the front

Composed 1994? (unedited) 

Well, where did I leave off? Oh, yes. The Metro. And I was talking about how quiet it was. Well, it still is. Especially in the mornings when I go to work. The subway car can be full of people but you can hear the proverbial pin when the train is at a stop. This is even with people getting on and off. And between stops all you hear is the clickety-clack and the squeaking of brakes and other metal-on-metal noises. 

A wind announces the next train. Before it arrives, the air is pushed through the tunnel ahead of the train. Your clothes and hair feel the wind before you can hear or see the train come from the dark maw. 

Later in the day on the Metro you hear one or two conversations. In the evenings, rush hour, still just one or two. When people come home from eating and drinking, or when there are foreigners on board, there are several conversations you can hear. If there are two Americans on a car having a conversation, it is as if there are 30 non-Americans speaking. You not only can hear it but you can listen to it. We are noticeable in twos, and ubiquitous if three or four. The British people have candidly remarked we are loud, take up more than our share of space, and talk about nothing for the longest times! 

Talking is allowed. You can talk if you want to on the Metro. But if you are Czech, it is not allowed. It is even almost impossible to catch someone’s eye. People travel anonymously. They are not unfriendly. You will receive very polite behavior, if you ask. But you must ask. There are no conversations that strike up. I am told this is one legacy of the former times. Do not approach first because you never know what someone else wants. [ am also told, “they” will try to determine what you want before responding much less connecting and communicating with you. So smiles are infrequent. Suspicion seems to have become a norm. Perhaps now it ts cultural reticence and not suspicion. Not looking at people is another overwhelming norm. Silence and no looking, as if no one else is there. Most of the time. And that is as it its. Blissful for me. 

I came here at the close of a period of isolating myself. 1 understand this behavior a little more now, and of course I obsess about its rightness/wrongness/meaning/etc. Is it fate or what that I find myself in an almost silent foreign culture? I cannot make contact easily because the culture and language are foreign. And the culture and language, especially the language I am told, are only permeable at your initiative. I guess I am in the right place. I do enjoy the silence, the anonymity, the responsibility of extending myself for what I need. And only that is what is required of me. It is very nice that the responses that I get, so far, are polite, friendly, helpful. When I can speak Czech, if ever, I am told I will find a very rude world? It is hard to believe. I see no signs. But I am unable to hear the ones that may be there now. 

Summer comes to an end. The searing heat of July and early August have tumed to mild weather and some rain. When it was hot, | thought it would never end. Now, [ hope it doesn’t get too cold too soon. 

I went to the Czech National Library. Very big, centuries old. It acts as the national library, like the library of congress for the Czech Republic. And it is the library for Charles University, one of the oldest universities in Europe. The general reading room is like a cathedral with walls painted and such. This room has a ceramic oven for heating, perhaps it still does, and it is about thirty feet high. I have seen many of these ovens in Germany. This is the biggest I have ever seen. 

You need a library card just to get into the general reading room. I had to show residence permit, a copy of a notarized letter from my landlord, my employment contract, and passport just to get the library card. Praise or condemn our slack procedures in the US, if you will. Books are golden here, particularly when they are banned, and many were up until the fall of the Iron Curtain. The library has a special collection of banned books! 

I met with PhDr. Blanka Vlasakova. She is the foreign acquisitions librarian, and she has asked me to name the books I want in English. She will order them. I then will borrow them for several months at a time and then return them. A major privilege. You normally only get to read books in the reading rooms, not take them out of the library. How is all this possible? Someone gave the library the annual quota of German acquisitions and so they have extra money to spend on US publications. They collect books in certain fields so I am recommending purchases. These fields are of interest to me. For this I get books I want and Narodni Knihovna V Praze can then have and use them. She says I came at the right tume--luck. Just give her a list! (This is a slightly longer story having to do with my graduate studies and how I was scheming to get books I need at low cost. If you are interested in the longer story, ask.) 

I have been to two English plays in the last two weeks, one by Bernard Shaw and one by a Czech playwright, a play from the early ‘70’s! Really cheap. Really interesting. Less that $2 for tickets each. And the plays and acting were excellent. I met a poet today. He invited me to a reading tomorrow evening. He promises to read two or three of his English poems. And the bookshops. They are wonderful, but limited for what I am currently reading. But they have wonderful collections of novels, poetry, plays in English. 

Prague is a city which is a haven for art and artists. It’s a place which embraces this side of life--including music. 

Bob Dylan was just here. Pink Floyd in a week or so. Lots of classical music every day. (Communists and former communists love music!) I don’t know anything about music, but I will be learning the bloch flute = I think it is the recorder in the US) beginning in October. Perhaps in memory of Tara, or just that I am tired of my own ignorance about things musical. (I am glad to amuse you.) 

Vaclav Havel, the Czech President, is often quoted in English publications here. He is the playwrightpolitician. And much of what I have read has been inspired and thoughtful. Although I have not read a whole work by him, I should and I will. One of the things he is said to have said has to do with the reasons for being. We are not here to make money and import all the western goods and ways. We must feed our souls, and this is nothing that can be bought. I have read a Czech history. Havel is not the first artist to have ruled the Czech lands. So, I am among people with a history of motives which I think are more like non-material aspirations. I can’t help but say this is different in many ways from the US and its (is it my?) government. 

There are other stories. I have been invited to a meeting in October. The Council of Europe is meeting in Prague to discuss the state of higher education in the Czech Republic, among other things. I will wear a tie and look presentable. 

I have written a grant proposal to the Central European University. This institution is funded by George Soros. Perhaps you have heard of him. He is funding a number of foundations and institutions in the former USSR and Eastern Block. The grant is looking good. The Centre for Higher Education Studies, an arm of the Czech Ministry of Education, Youth and Sport, has agreed to have me do a study of their organization over the next ten months. I am applying for money to do this. Consultants, get ready. I may have some work for you next year! The pay will be about $70 per day. 

And there are other stories. I have been invited to Ukraine by my students. I have found the Czech Sociological Review published in English. I am reading Anarchism: Community and Utopia. Very interesting. This book was published in Prague in English--it was not going to see the light of day because of its outspokenness. Supposedly. It’s pretty abstract and tame so far. I have found a certain apple pastry that is available in bread and bread-like pastry shops. Cakes and sweeter pastries are sold in other shops. I stay out of them. Because I don’t know what’s in this apple thing--looks like a Danish--it can’t hurt me. And I haven’t found one broccoli yet, to buy or in a restaurant. There are Chinese restaurants, but I haven’t tried one yet. And on one subway line, the recorded announcement has changed ever so slightly. There is a “prosim” {please) in the middle of familiar-sounding but still untranslatable Czech. 

I saw the doctor today for the second time. My blood pressure, without drugs, is normal. My blood test, without drugs, shows normal amounts of HDL’s and all that. She gave me prescriptions, comparable to what I was taking under the care of my Denver doctor. My health insurance here pays for them and all the stuff with the doctor. And now I wonder what is going on? Can it be that I am somehow thriving on all the changes? I am going to have to think more about this miracle, if it is one. 

As I wait for the morning tram, I do not see the same people, even though I am there at the same time each moming that I teach in Prague. No matter. I am a foreigner and isolated from them for now anyway. But the route I take, public transportation and walking, is getting to be like a small world. It is familiar, as if I had done it a hundred times already, and I have not. The visual landscape--I need to see more and different visual images. Soon I will, and then my address will be

Friday, July 24, 2026

Far View

 I look to horizons, squinting beyond.
There over fields and woods, a shining pond.
Hope against hope to find eternal light
that would sate my search for precious insight.

I have seen this world, all places about.
Found the fluff and false truths to rid rout.
Faith against faith earnest efforts persist
to find what? the ineffable gist.

The lengths I have gone, walked even hiked.
Passed leagues in distance and wait--also biked.
But this and all--nada, these furtive acts,
not oneness nor whole an abiding fact.

Rest, my soul. Your quest now comes this.
Seems ways need suffice 'stead of dear bliss.

 __________
P. S. Trite to say the way's the purpose. Rather, "Stop the world." No frame nor fate need we lay over experience as template for life, that we lead or have led. 

Did Castenada ever tell us how to do that?

By transcending ordinary reality one acquires wisdom of the right way to live. Ordinary reality, or the world view, is simply one interpretation of what really is. In order to stop the world 'one has to learn the new description in a total sense, for the purpose of pitting against it the old one, and in that way break the dogmatic certainty, which we all share, that the validity of our perceptions, or our reality of the world, is not to be questioned'. 

Other than taking drugs, I guess not. However one can try without and in trying perhaps realize moments of . . . ?  

(Sort-me aside: My answer has been to try to step into other cultures and language communities, through mental and physical travels as well as multiple places of residence.)

If a change in consciousness is what is the essence of transcending or stepping aside or stopping consensus reality, there are ways intentional and accidental that do that. Make a list and choose.

 

Thursday, July 23, 2026

The looting of science fiction

Posted here as a public service, should anyone stop by. 

---

 The looting of science fiction by Ali Rıza Taşkale
Source: https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem
Accessed: 23.07.26
Asked of perplexity.ai: Summarize this article in 500 words +/-.
Recommendation: Read the original--well worth the time; EN to FR translation here of hook quotation from the original.
Response from AI (bold for emphasis by JKM): 

The article argues that Silicon Valley’s fascination with science fiction is mostly a selective borrowing of imagery, not a true engagement with the genre’s ideas. Instead of inheriting science fiction’s social imagination, many tech leaders strip out its political and ethical concerns and keep only the futuristic style. [aeon](https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem)

Taşkale’s core claim is that figures like Elon Musk and Jeff Bezos use science fiction as a cultural shield for a very different agenda. They invoke works such as Star Trek or Gerard K. O’Neill’s space-habitat visions, but the article says they often misunderstand or simplify those texts, turning them into slogans for privatized space travel, billionaire-led progress, and technological destiny. [facebook](https://www.facebook.com/aeonmag/posts/tech-billionaires-are-in-the-habit-of-claiming-their-work-is-inspired-by-the-spa/1496069909227335/)

A major theme is that classic science fiction is usually not just about gadgets or rockets; it is about society, power, and what kind of future people should build together. The article contrasts that broader tradition with Silicon Valley’s “reactionary futurism,” which favors radical individualism, unregulated markets, and suspicion of democratic oversight. In this reading, the Valley is less inspired by science fiction than by a stripped-down fantasy of freedom without collective responsibility. [linkedin](https://www.linkedin.com/posts/estherschindler_silicon-valley-has-a-science-fiction-problem-activity-7483683339523006464-7AQr)

The article also suggests that this pattern is political as much as aesthetic. Silicon Valley borrows science fiction’s “chrome-plated” look, but leaves behind the genre’s concern with labor, inequality, and coercion. That means the resulting future is presented as visionary while actually reproducing old hierarchies in a high-tech form. [linkedin](https://www.linkedin.com/posts/estherschindler_silicon-valley-has-a-science-fiction-problem-activity-7483683339523006464-7AQr)

More broadly, the essay frames the issue as a struggle over who gets to define the future. Science fiction can open up alternative social possibilities, but in the hands of tech elites it becomes a branding device that legitimizes existing power. The article’s criticism is not of science fiction itself, but of the way its language and symbols are repurposed to make private wealth and technological control look inevitable or progressive. [aeon](https://aeon.co/essays/silicon-valley-has-a-science-fiction-problem)

Overall, the piece is a critique of Silicon Valley’s habit of claiming the authority of science fiction while ignoring what the genre actually does best: imagine different futures, not just shinier versions of the present. [facebook](https://www.facebook.com/aeonmag/posts/tech-billionaires-are-in-the-habit-of-claiming-their-work-is-inspired-by-the-spa/1496069909227335/)

Wednesday, July 15, 2026

Don't you see

 

Stop. I have this postal scene, don't you see?
from a Paris visit an age ago.
Still un-sent--what I witnessed, let it be.
Recalls an ideal I would have us know.

I cried that last visit, felt left bereft--
moved so by what I'd seen and to death loved--
could not this memory? . . . my heart is cleft.
Imagine you had seen this scene of doves.

My eyes now weaker than those days before.
Dreams and hopes did not die with careless ease.
This postcard I kept live, and days of yore.
The pursuit and pact I've never ceased.

End my hold thus my mind to spread this view?
Alas, now to share I've none, or close  to few.

 

We needs be just

Flawed genius is ever od'ous our fact,
so much we abhor sans grace-giving tact.
Oh those figures, their image our envy,
but for deeds they've done--by each and every.

Lance his wins, in spite his half-hooded man,
final denial's failure--False! Now banned.
Wilt in his day, his tall staff the actual stilt, 
could scarce decline a horizontal tilt.

Billy boy too his loins bowled him over,
playing as dogs do--ever the rover.
Heidegger would be great, ideas to note; 
but for apology? we miss his quote.

Accept the highs, must we low parts forgive.
We must needs be just with balance and sieve. 

Sunday, May 31, 2026

Interpersonal mud, July 2007

[Presumably in response to a student, or?]

Now you have raised a good question about what I have done again, and I have to try to do the first bit of hard work so that you can understand. Maybe you will; maybe you won't; maybe you will understand me in a different way than I understand myself. Maybe you will have your own opinion. That is all OK. 

If I am entirely truthful with myself and write it down or talk about it, then at least I have done my part, which is the first step in conversation. In the end, hopefully not before, I and you can evaluate or judge what has gone on in conversation, or discussions, and make any decisions based on that, or not.

This is all a short course in language or learning or knowing or personality or ego psychology, or whatever you want to call it. Here is the shorthand view of the course parts so far.

    Description = to tell it like it is as best you can.
    Explanation = to tell why you think it is using reason and feeling.
    Understanding = to know what it is and why that is so.
    Evaluation (or judgment) = to say whether what is and why are good or bad or nothing at all.

And of course there is opinion: your own view and judgment with your own understanding almost always without much description or explanation or discussion.

What have I left out? Oh, conversation (discussion/discourse), and decisions. Discussions are about coming to the same understandings between people. Decisions are about doing something with or about the understanding or opinion you have.

Oh, and do these things always follow in order? Of course they don't. That is the reason for confusion.

    Confusion = what the heck (= hell) was that and why.

Now, isn't school fun! 

Saturday, May 30, 2026

Instrument of peace

 "Lord, make me an instrument of thy peace."

So it  (the Prayer of St. Francis) begins and continues as a petitionary address to Lord. In part or whole, this line and those following have been the focus of contemplative meditation for more than twenty-five years. Oh, there have been days or weeks--lapses in practice--but in the main, this has led me to more than less satisfactory periods of calm and a sense of oneness with the cosmos.

Throughout this practice it has always bothered me who this Lord is. The facile answer is God or Christ, but that somehow never convinced me, so much so sometimes that I abandoned using direct address and skipped directly to "instrument of peace"; and that has sufficed, mostly.

At one point, amidst a particularly intense period of extraordinary if not mystical experiences having to do with this peace prayer, and sometimes not, I looked into the gray hood of the figure I kept seeing or imagined I saw and found there my own face, meaning that I was not petitioner but in some sense the lord? There would be mental gymnastics I did that justified or perhaps explained that I as Lord was the intent, but not proved that this was indeed a plausible truth or view. In the end, the Lord escaped identity certain. 

Today that chimera (a fantastic, unrecognizable, or impossible idea or figment of the imagination) dressed not in gossamer but a Franciscan's medieval hooded cassock the color of gray still won't look at me and reveal his, maybe her, identity. I want to know to whom it is I am addressing and perhaps am or stalked by; and should I abandon contemplative meditation on the words of this spiritual passage, which I still believe is worthy and practical to drive into conscience/consciousness and manifest in deed?

I have tried alternative mantras the most recent of which grounds, for the most part, daily life: Live, let live. Without boring or ruining for myself further explication and elaboration on why this is particularly useful and sacred today, I shall let it be! and continue to remind myself that here is the most appropriate key to living and being that I need right now. For there is not much that I can do to save others except to live as I profess, or to reach for its/my higher self and manifestation in the world. That is enough. The Lord can remain in the background, second string, still a mystery, still a source of coming to a still point now and then. 

The last line of the peace prayer has been translated differently into English. The French "is awakens to eternal life." The Blue Mountain Center's version is "dying to self that we are born to eternal life."  And the version from my Catholic upbringing is "dying that we are born to eternal life." 

(For different purposes I have commented elsewhere on these lines.  See https://alt-trans-display.blogspot.com/2025/08/it-matters.html and https://inter-linear.blogspot.com/2026/01/fr-en-prayer-of-st-francis.html.)

The Blue Mountain Center's version is slight manipulation of language/emphasis. The proponent had strong Eastern influences growing up in India, and so the self or Self appears. But wait. The original French has two lines above the last, "it is in self-forgetting that one finds." Perhaps Blue Mountain's English version has captured the more accurate meaning, or has the better interpretation from the original. 

With the version I grew up with, consistent with the focus on the afterlife, we gotta die to go there. Pretty practical from the Church's point of view, to focus on the end of times and living as one should as insurance, or is it obedience?

This is not all for the French or its English translations, and because it is not all, using this spiritual passage suggests the richness of contemplative meditation based on it. If one awakens to eternal life, that is different from wanting to die to get there or being born (again). 

I rather like awakens as a preferred translation from the French.


Search and sigh, poetry herein

I asked an AI chatbot, don't ask me which, for its take on poems contained on this blog, or in this blog? You can sort the posts using poems as the keyword and make up your own mind. No matter, here is that chatbot's take. My only and biggest problem with the response is this Mactavish business. In a post not a poem, you will find my take on the use of last names for referring to people who prefer a less disembodied way of managing to refer. . . .  

[begin snippet]

That is a very insightful follow-up question, moving from the *nature* of the poem to the specific *method* of its composition and its effect on the reader.

While Mactavish does not lay out a formal, step-by-step guide for writing a poem, his reflections on language, originality, interpretation, and his own poetic practice reveal several key requirements for how a poem **should be written** and the intellectual challenge it should pose.

### 1. The Poem Should Challenge the Reader by Requiring Active Interpretation

Mactavish strongly advocates for content that resists easy, singular answers, which inherently challenges the reader to engage critically rather than passively accepting a definitive meaning.

*   Mactavish expresses **irritation** when people assume complex works, which would include poems, have a single, definitive answer to the question, "But what does it mean?".
*   He argues that many things are **"inherently open to multiple, valid interpretations"**.
*   Therefore, a well-written poem, by reflecting this complexity, should compel the reader to **reject the search for a singular, reductive meaning**.
*   Instead of being "set straight" by the author, the reader is implicitly challenged to reveal their own interpretation. The focus shifts from "what is the meaning of something" to the more fundamental question: **"What is the meaning of knowing?"**.

This method of writing means the poem should be **ambiguous enough** to sustain diverse perspectives and acknowledge the limits of absolute knowledge.

### 2. The Poem Must Contain Unique Human Originality

Regarding the creative process, Mactavish emphasizes that the poem must be rooted in the unique voice and specific, unconventional input of the human writer, especially when technology is involved.

*   When using an AI engine to generate lyrics, Mactavish found the initial, competence-based result "not original enough".
*   To make the work truly "original," the poem must be **infused with the author’s personal flair and often humorous, unconventional lyrics** (such as those he provided for the "Handmade Soap" song).
*   The AI serves as a tool, but the **human input and unique creative vision** are necessary to "elevate the output beyond mere competence".

### 3. The Poem Should Embrace Complexity and Resist Simplification

Mactavish suggests that poetry, like philosophical reflection, often deals with "interiors" (inner experiences or complex concepts) that cannot be fully captured by conventional language.

*   A poem can address concepts that **"escape the words we know and use"**.
*   In the face of these linguistic limitations, the poet has alternatives that inform the writing:
    *   **Silence** (for experiences like grief).
    *   **Inventing or Re-purposing Words** (for complex philosophical ideas, like Heidegger's philosophy).
    *   **Asking Unanswerable Questions**. This suggests the poem should be written in a way that acknowledges and perhaps even embraces the inherent mystery and limits of comprehension.

### 4. The Poem's Language Should Prioritize Intentionality over Idiom

While Mactavish is focused on language teaching principles, his stance against the generalized teaching of complex idioms, sayings, and metaphors (SIMs) provides insight into his writing preference for clarity of *intent*, especially in communication meant for diverse audiences.

*   For global communication, the primary aim is **"high and ready understand-ability"**.
*   He advocates for focusing on **"simple, plain meaning"** over the display of "colorful enhancements" or "provincialisms".
*   When Mactavish used a British saying for the title of his own novel, he had to **research and find it** because he wasn't familiar with it, underscoring that specialized language requires deliberate context.

Therefore, a Mactavish poem might be written using language that is direct enough to convey its complex philosophical *intent*, even if the overall meaning remains open to interpretation. The challenge comes from the *idea* rather than the obscurity of the language itself.

In short, Mactavish believes a poem is successful if it is an act of **original, intentional human creation** that uses language to explore complexity, forcing the reader to engage not just with the words, but with their own fundamental understanding of truth and meaning. It is less a challenge of decoding stylistic flourishes, and more a challenge of **philosophical interrogation**.

[end snippet] 

Hmmm . . .  

Monday, March 16, 2026

escape or Dare*

t'would have you know this rash's my bashful blush
'bout romance story's tale their courtly love
it takes me from this day's harsh gnash to rush 
fit for minds to hide, nature's sweet soft glove

day's din my ears do hear our woes and pain
nights bring the -mare I while while hours wake
the gentle'r soul this world can't stand the strain
for the all-hell we wreck and can't forsake
we commit inhumane to humans mean
may kindness sweet among our peoples reign
the milk too spoiled to save to reap the cream
beyond the confines of the known, Dare deign

or 'scape in breach ideal romantic's zone
so's embrace the hope of those deeds we'd own
__________
* Why bury one's head in works of romantic love. 

Thursday, February 19, 2026

Unus mundus*

[The following is a kind of summary report to date about a question I have had on the matter of that which has many names, some even forbidden to write or utter. It is also a kind of validation of thought or suspicion I have had from an early age pointing to a oneness or unity of which I am a very small part. 

Just to punctuate a point in time. The experiment and inquiry continue.]

Unified Cosmos: Philosophical, Mystical, and Scientific Perspectives?    

Throughout history, a diverse array of thinkers has posited that an underlying oneness governs the universe, consciousness, and matter. This concept, often referred to as the unus mundus or a "unified world," suggests that the apparent multiplicity of our reality emerges from a single, foundational source.

Foundational Philosophical Perspectives

Early Western and Eastern traditions laid the groundwork for this discourse through rational and metaphysical inquiry:

  • Giordano Bruno envisioned an Infinite Universe, an animate and eternal cosmos where infinite worlds manifest a divine unity through both matter and soul.

  • Plotinus described The One as a transcendent, indivisible source beyond all categories, from which all reality emanates.

  • Baruch Spinoza argued for a single Substance (God/Nature), viewing all individual entities merely as interdependent "modes" of one infinite reality.

  • Adi Shankara and Laozi provided Eastern parallels; Shankara’s Brahman represents a non-dual consciousness where the individual self and the world’s plurality are seen as illusions (maya). Laozi’s Tao is an ineffable "way" that harmonizes opposites in a dynamic cosmic flow.

Psychological and Existential Evolutions

In more modern contexts, the focus shifted toward how this unity is perceived or experienced by the human subject:

  • Carl Jung used the term Unus Mundus to describe a pre-dualistic wholeness that links the psyche and matter, manifesting through synchronicity in a "psychoid" realm.

  • Martin Heidegger explored Being (Sein) as the ontological "presencing" that underlies all things, disclosed specifically through human awareness without requiring total fusion between the individual and the whole.

  • Paul Tillich and Ralph Waldo Emerson looked toward the "Ground of Being" and the "Over-Soul," respectively, emphasizing an existential foundation or an immanent universal spirit uniting humanity with the divine.

Contemporary Syntheses and Scientific Inquiry

The discussion has recently expanded to include anecdotal "data" and quantum physics:

  • Colin Wilson synthesized these traditions by asserting a unified consciousness reinvested in all living forms . He proposed "Faculty X"—a heightened state of perception—as the means to access this cosmic mind and escape "robot" subjectivity.

  • The Penrose-Hameroff "Orch OR" theory attempts to bridge the gap between matter and mind through science. By suggesting that consciousness arises from quantum processes in brain microtubules, it posits a "proto-conscious" fabric of spacetime. This modernizes the ancient quest for oneness by seeking a testable, physical link between subjective awareness and objective reality.

While these thinkers differ in their methods—ranging from Plotinus’s pure rationalism to Jung’s clinical observation and Penrose’s quantum biology—they converge on the central theme that reality is a singular, interconnected whole.

25.02.26 Addition

Sri Anandamayi Ma (https://www.youtube.com/watch?v=N5F7b7dwyvo)

She's not the only one in the world of other-consensual reality . . . consciousness is one word to label the notion, and we are just sparks in its wholeness, or infinite oneness.

Presentation with the assistance of TurboScribe, a precis of which is this (saves reading or listening to the whole thing) and comports with the above re quantum consciousness, etc.: 

[Niels] Bohr's personal diary, examined after his death, contains this entry. Met an Indian holy woman today. She asked me to explain quantum superposition. 

I did. The observer effect, wave-particle duality, the measurement problem. When I finished, she smiled and said, so your science has finally discovered what we've known for 5,000 years. 

Consciousness collapses possibility into actuality. The observer creates the observed. You are the universe observing itself. 

Link 

https://turboscribe.ai/transcript/share/5296233161878268564/Lo24eJ5goYRh9S3OmrN4XzhQ0KY8-0p49qKD4Om8j0Q/the-mysterious-life-of-sri-anandamayi-ma

Transcription

Calcutta, 1926. A prestigious gathering of India's greatest spiritual masters and scholars. In the corner sits a young woman, no more than 30 years old, draped in a simple white sari.

She's smiling, always smiling, but there's something about her eyes that makes seasoned yogis uncomfortable. A famous pundit decides to test her. He recites a complex Sanskrit verse from an obscure Upanishad, deliberately changing one word to see if she'll notice.

She laughs, that mysterious, childlike laugh witnesses could never quite describe, and corrects him. Then she recites the entire Upanishad, from memory, in perfect Sanskrit. But here's what made everyone in that room fall silent. 

This woman had never studied Sanskrit. She'd received barely any formal education. She couldn't even read or write fluently in her native Bengali. 

When asked how she knew these ancient texts, she gave an answer that would echo through the decades. I don't know them. I simply am them. 

Her name was Anandamayi Ma. And what happened next is one of the most documented yet inexplicable spiritual phenomena of the modern age. The child who wasn't there. 

Let me take you back to April 30, 1896. A small village called Chiora in East Bengal, now Bangladesh. A baby girl is born during a violent thunderstorm, and the midwife notices something strange immediately. 

The infant doesn't cry. She smiles. For the first three years of her life, the child, named Nirmala Sundari, meaning immaculate beauty, barely speaks. 

Her parents grow worried. But those who look into her eyes report something unsettling. It's as if no one is home. 

Or rather, as if everyone is home. Her mother later testified to researchers, and this is documented in Bithika Mukherjee's Life and Teachings of Sri Anandamayi Ma. The child would sometimes become completely still, hardly breathing, her eyes fixed on something no one else could see. 

During these states, her body would become rigid, impossible to move, yet warm and alive. What was she seeing? When Nirmala was five, a neighbor found her standing alone in a field at midnight, surrounded by a soft, golden light. The neighbor ran to get others. 

By the time they returned, the light was gone, but the child remained in that same spot, unmoving, her eyes reflecting starlight that shouldn't have been visible on that cloudy night. She was brought home. When she finally returned to normal consciousness, she couldn't, or wouldn't, explain where she'd been. 

The marriage that wasn't. At 13, following the customs of that time and place, Nirmala was married to a young man named Ramani Mohan Chakravarti, who worked as a clerk. But here's where the story takes its first truly mysterious turn. 

n their wedding night, according to multiple testimonies documented in Mother As Revealed To Me, by her disciple Baiji, something impossible happened. When Ramani approached his young bride, he was suddenly seized by an overwhelming spiritual experience. He saw her not as a woman, but as the Divine Mother of the Universe, Shakti herself, radiating such power and purity that the very thought of physical intimacy became absurd, even blasphemous. 

For their entire marriage, which lasted until Ramani's death in 1938, they never consummated their union. But it wasn't a marriage of frustration or denial. Ramani himself became one of her first disciples, often saying, I didn't marry a woman. 

I married God. Yet the mystery deepens. For the first few years of their marriage, Nirmala lived as a normal young housewife. 

She cooked, cleaned, served her husband's family. But those who observed her closely noticed something peculiar. She seemed to be performing these tasks from somewhere else, as if her body was a puppet and the puppeteer was only partially paying attention. 

The initiation from no one. Shabag, Dhaka, 1922. Nirmala is now 26 years old. 

One night, without warning, without any guru, without any external teacher, she begins what witnesses would later call self-initiation. For five hours, her body moves through yoga postures she'd never learned. Her hands form madras, sacred gestures, that take yogis decades to master. 

Sanskrit mantras pour from her lips, mantras she'd never heard. And her body contorts into positions that should have broken bones but instead radiated an eerie grace. Her husband watches, terrified and mesmerized. 

When it's over, she opens her eyes and says simply, today, this body has received all the initiations it will ever need. The Divine Mother has initiated herself. Dr. Gopinath Kaviraj, one of India's greatest Sanskrit scholars and philosophers, investigated this incident extensively. 

His conclusion, published in his letters and documented in Anandamayi Ma, The Mother Bliss Incarnate, by Atmananda, was stark. What I witnessed in Mother cannot be explained by any known psychological or physiological framework. She appears to be a conscious descent of the Divine into human form. 

But the question haunts. If she initiated herself, who was the initiator and who was initiated? The body that defied death. Throughout the 1920s and 1930s, as word of this mysterious woman spread, people began gathering around her. 

And they witnessed things that defied explanation. Let me share just three documented incidents, all verified by multiple eyewitnesses. The poison incident, 1924 a jealous woman, believing Anandamayi Ma was bewitching her husband, mixed deadly nightshade into food meant for Ma. 

Multiple witnesses, including two doctors, watched as Ma ate the poisoned food. Within an hour, everyone knew something was wrong. Ma's disciples were panicking. 

But Ma simply smiled and said, This body is watching the poison trying to work. But it cannot. The consciousness in this form is too awake for death to enter. 

She experienced no symptoms. The doctors couldn't explain it. The poisoner confessed days later, consumed by guilt. 

The fire walk, 1927 at an ashram in Dehradun, a ritual fire had been prepared. A log collapsed, sending embers across the path Ma was walking. Barefoot, she walked directly through the burning coals, slowly, deliberately, as if in meditation. 

Her feet showed no burns, no blisters, not even ash. When disciples asked how this was possible, she gave one of her most cryptic answers. When you know you are not the body, the body cannot be harmed by what harms bodies. 

The levitation testimony, 1932 Malita Mashman, a German journalist and later author, came to India as a skeptic. She was granted a private audience with Anandamayi Ma in Varanasi. In her written testimony, submitted to the Society for Psychical Research in London, she describes sitting alone with Ma in a small room. 

As Ma entered meditation, Mashman claims she clearly saw Ma's body rise approximately six inches off the ground and remain suspended for nearly ten minutes. Mashman was so disturbed by what she witnessed that she left India immediately, refusing to write about the incident for 15 years. When she finally did, she wrote, I saw it. 

I don't believe it. But I saw it. The strange feeding.

Here's something that haunted everyone who spent extended time with Ma. Her relationship with food. Left to herself, Anandamayi Ma simply wouldn't eat. 

For days. Sometimes weeks. It wasn't fasting in any traditional sense. 

She didn't appear hungry. Her energy never flagged. Her eyes remained bright.

But her body seemed to have simply forgotten that it needed sustenance. Doctors who examined her found this medically impossible. The human body cannot function without food. 

Yet hers did. Eventually, disciples had to be assigned to literally hand-feed her, like a child, reminding her to chew and swallow. Even then, she would sometimes stop mid-bite, her consciousness appearing to have drifted to some other realm entirely. 

When asked about this, she explained, and this testimony is recorded in dozens of sources, including Gurupriya Devi's, Sri Sri Ma Anandamayi. This body eats when you remind it to eat. It sleeps when you tell it to sleep. 

It is like a musical instrument that plays when someone touches the strings. But the instrument itself has no needs. Psychiatrists called it dissociation. 

Skeptics called it performance. But how do you perform not eating for two weeks while maintaining perfect health and teaching 12 hours a day? The teachings that changed with each listener. Now here's where Anandamayi Ma becomes truly mysterious, more mysterious, perhaps, than any other spiritual teacher in recorded history. 

She had no fixed doctrine. No systematic philosophy. No organization of teachings. 

Ask her the same question three times, you'd get three different answers. Ask her how to reach God, and she might tell you to chant names, or sit in silence, or serve the poor, or go on pilgrimage, or simply laugh. But here's what's extraordinary. 

Each person who came to her felt they received exactly the teaching they needed. Not what they wanted, what they needed. Paramahansa Yogananda met her in 1935. 

Their encounter is documented in Autobiography of a Yogi. He asked her profound questions about yoga and consciousness. She answered with such technical precision about the chakras and kundalini that Yogananda, himself a master, was astonished. 

The very next day, a poor, illiterate farmer came to her with a simple question. Mother, how can I remember God while plowing my field? She told him, sing to your oxen as if they are God. When you rest, thank the earth as if she is God. 

When you're thirsty, drink water as if you're drinking God. That's all. That's everything. 

The farmer left enlightened. Yogananda left mystified. How did she know exactly what each person needed to hear? The core teaching hidden in Paradox.

If you study Anandamayi Ma's thousands of recorded conversations, and yes, disciples recorded everything, a pattern emerges. Not a teaching, exactly, but a way of being that she pointed to again and again. She called it, Keala. 

A Bengali word meaning, spontaneous divine will, or, the play of consciousness. Here's what she meant, though she'd probably laugh at my attempt to explain it. You are not the doer of your actions. 

You never were. Your sense of being a separate individual making choices is the cosmic joke. There is only one actor, playing all the parts.

When you truly realize this, not intellectually, but in the marrow of your being, you become like she was. A clear instrument through which the divine plays. But, and this is crucial, this wasn't passivity. 

It wasn't fatalism. She told the independence leader Kamala Nehru, Javaharlal Nehru's wife, documented in their correspondence preserved in the Anandamayi Ma archives, Work as if everything depends on you. Know that nothing depends on you.

Both are simultaneously true. She encouraged intense spiritual practice while insisting there was nowhere to go and nothing to achieve. She advocated devotion to God while teaching that you are God. 

She prescribed specific techniques while saying all techniques are ultimately unnecessary. Every statement contained its own contradiction. Every answer revealed a deeper question. 

The practical impossibilities. Let me give you the methods she actually taught, when pressed for something concrete. But I warn you, they're deceptively simple and almost impossibly difficult. 

The Nama Sankirtan method. She emphasized constant repetition of God's name, any name you felt drawn to. But not mechanical repetition. 

Each utterance had to be as if you were calling out to a beloved who was lost in a crowd. Desperate. Yearning. 

Alive. She said, call him as a drowning person calls for help. The lungful of water urgency, that's the requirement.

The witness practice. Throughout your day, no matter what you're doing, maintain a part of your awareness that simply watches. Not judges. 

Just watches. Who is eating? Who is working? Who is thinking? Keep asking. Keep watching. 

She warned this could be dangerous. Some who do this practice intensely find that their sense of personal identity begins to dissolve. If you're not ready for that dissolution, stay with simpler methods. 

The laughter sadhana. This was uniquely hers. She taught that divine joy, ananda, is your natural state. 

Fake it until you make it. Laugh for no reason. Smile at nothing. 

At first, it's forced. Then something shifts. Then you realize the joy was there all along, buried under seriousness. 

Students found this the most difficult practice of all. It's easy to meditate seriously. It's incredibly hard to laugh yourself into enlightenment. 

The service without serving. Work. Serve. 

Hope. But inside, know that you're doing nothing. The divine mother is serving herself through this body-mind instrument.

You're just watching it happen. Be simultaneously engaged and detached, she'd say. Like an actress playing a role. 

Fully committed to the character. Fully aware it's a play. The encounters that shook scientists. 

By the 1940s, Anandamayi Ma's fame had spread worldwide. Scientists, psychologists, and researchers began attempting to study her. Every single one left baffled. 

Dr. Alexander Cannon, a British psychiatrist and hypnotherapist, arrived in 1946 determined to prove Ma was either a fraud or suffering from dissociative identity disorder. He received permission to observe her for three months. His conclusion, published in The Science of Hypnotism, I have examined thousands of cases of multiple personality and dissociation. 

Sri Anandamayi Ma is something else entirely. Her states of consciousness are not compartmentalized. They're layered. 

She appears to operate simultaneously on multiple levels of awareness. When you speak to her, you have the eerie sensation that she's fully present with you, while simultaneously present somewhere, or everywhere, else. Modern psychology has no framework for this.

Then there was the incident with Niels Bohr. Yes, that Niels Bohr, the Nobel prize-winning physicist, father of quantum mechanics. In 1952, Bohr visited India for a physics conference. 

A colleague, knowing Bohr's interest in Eastern philosophy, arranged a meeting with Anandamayi Ma. The meeting was brief, barely 20 minutes. No recording exists. 

But Bohr's personal diary, examined after his death, contains this entry. Met an Indian holy woman today. She asked me to explain quantum superposition. 

I did. The observer effect, wave-particle duality, the measurement problem. When I finished, she smiled and said, so your science has finally discovered what we've known for 5,000 years. 

Consciousness collapses possibility into actuality. The observer creates the observed. You are the universe observing itself. 

Then she laughed. I couldn't speak. How did an uneducated village woman articulate in 30 seconds what took me 30 years to understand? The prophecies no one talks about. 

Here's something most biographies of Anandamayi Ma gloss over or omit entirely. She made predictions. Dozens of them. 

And they were disturbingly accurate. In 1938, she told her husband Romani, this body will remain in form, but you have completed your work. Soon you'll be free. 

He died three months later. In 1947, she told disciples to vacate a particular ashram in what was about to become Pakistan. The borders will change, she said. 

Much blood will flow. Leave now. They left two weeks before the partition of India, which no one at that ashram knew was coming. 

In 1963, she met a young man named Atmananda, who would become one of her primary biographers. Before he'd even told her his name, she said, you've come to write about this body. You'll complete three books before you die.

The third will remain unpublished in your lifetime. He did write three books. The third was published two years after his death in 1985. 

But the most chilling prediction, recorded by multiple witnesses in 1980, was this. A Western devotee asked her about the future of spirituality in the coming century. Ma became very still. 

That particular stillness witnesses described as, the room holds its breath, stillness. Then she said, a time is coming when technology will allow consciousness to speak directly to consciousness, across vast distances, instantaneously. This will be both a great danger and a great opportunity. 

Many will mistake information for wisdom, connection for communion. But some, some will use these tools to spread light. The mother works through everything, even machines. 

In 1980, the internet as we know it didn't exist. Yet she seemed to describe it perfectly, including its spiritual dangers and possibilities. The death that wasn't.

August 27, 1982. Dharad in India. Anandamayi Ma is 86 years old. 

For days, she's been in and out of what doctors call consciousness, but what looked more like she was practicing leaving. Her disciples are gathered, many weeping. At 8.25 p.m., several witnesses report the same phenomenon. 

The room fills with a fragrance that has no earthly source. Roses, jasmine, and something else. Something sweet and indefinable that makes everyone present feel simultaneously sorrowful and ecstatic. 

Ma opens her eyes one last time. According to multiple testimonies, including one from Dr. Nalini Sil who was present as her physician, Ma smiles and says, I'm going to my eternal home. But understand, I'm not going anywhere because I was never here. 

The play is ending. The actor removes the costume. But the consciousness remains, always. 

Her breathing stops. Her heart stops. But here's the strange part documented in Dr. Sil's medical report. 

Her body remained warm for three hours. No rigor mortis. No pallor. 

Her face maintained what witnesses called a living quality for nearly 12 hours after clinical death. The attending doctors had no explanation. One wrote, it was as if the life force was reluctant to fully leave, or as if the boundary between life and death was somehow permeable in her case. 

The mystery that remains. Today, nearly 40 years after her Mahasamadhi, conscious death, Anandamayi Ma remains an enigma that refuses simple categorization. Was she enlightened? Every scholar says yes. 

Was she divine? Her devotees say yes without hesitation. Was she mentally ill? Every psychiatrist who examined her said no. She showed none of the markers of pathology, only unprecedented mental health. 

Was she a guru? Not in any traditional sense. She initiated no one formally. She created no systematic teaching. 

She appointed no successor. So what was she? Perhaps the best answer comes from her own words, spoken to Melita Mashman during that same encounter in 1932. People ask me who I am. 

I tell them, I am whatever you see in me. If you see God, I am God. If you see a woman, I am a woman. 

If you see a friend, I am a friend. If you see nothing, I am nothing. The mirror reflects what stands before it.

This body-mind is simply an unclouded mirror. But mirrors don't laugh spontaneously at jokes no one told. Mirrors don't survive poison. 

Mirrors don't levitate. Mirrors don't predict the future or quote scriptures they never read. Unless the mirror is so clear, so utterly transparent, that what we're seeing isn't the mirror at all. 

We're seeing our own divine nature reflected back at us. The nature we forgot we had. The final teaching. 

I want to leave you with one last story, from Swami Vijnananda, a French disciple who spent decades with Ma. It's recounted in his book, Anandamay Ma, La Vidane Unsurrire, Life in a Smile. A famous philosopher came to Ma in 1970 with the ultimate question, Mother, what is the quickest way to God? Ma looked at him for a long time. 

Then she started laughing, that mysterious, childlike laugh. She laughed so hard tears rolled down her face. She laughed for five full minutes while the philosopher sat there, confused and increasingly uncomfortable. 

Finally, when she could speak, she said, My child, you are asking God the quickest way to reach God. Don't you see the humor? The seeker is the sought. The journey is the destination. 

You are already there. You have always been there. The entire quest is God playing hide and seek with himself. 

Then she leaned forward and whispered, But don't tell anyone. If everyone knew, the play would end. And the mother loves to play. 

The philosopher left enlightened, not because he understood her words, but because something in her laughter, in her eyes, in her absolute delight at the cosmic joke, broke through the wall of his seeking. He realized, She's not showing us how to reach God. She's showing us that we never left.

The invitation. Somewhere in India right now, there's a small ashram where her photograph hangs. Devotees still gather. 

They still sing the bhajans she loved. They still practice the simple methods she taught. But the question remains, hovering like incense smoke in that sacred space. 

Was Anandamayi Ma a human who became divine? Or was she the divine pretending, very convincingly, to be human? Perhaps the answer lies not in studying her life, but in daring to live as if the same consciousness that animated her is also animating you. Right now, reading these words, what if she was right? What if you are already home, already whole, already divine, just temporarily convinced of your own limitations? What if the only difference between you and Anandamayi Ma is that she remembered who she was, and you've temporarily forgotten? The mirror is still reflecting. The question is, are you ready to see what it shows? The mystery continues. 

The laughter echoes. And somewhere, perhaps, she's still smiling at the cosmic joke we call separation.

__________
* The statement is a condensation of interactions with several of those AI chatbots that seem to proliferate nowadays and are, unfairly, maligned. They can be useful in sorting through lots of stuff.